Born and raised in Georgia, in the Russian Empire, Ordzhonikidze joined the Bolsheviks at an early age and quickly rose within the ranks to become an important figure within the group. Arrested and imprisoned several times by the Russian police, he was in Siberian exile when the February Revolution began in 1917. Returning from exile, Ordzhonikidze took part in the October Revolution that brought the Bolsheviks to power. During the subsequent Civil War he played an active role as the leading Bolshevik in the Caucasus, overseeing the invasions of Azerbaijan, Armenia, and Georgia. He backed their union into the Transcaucasian Socialist Federative Soviet Republic (TSFSR), which helped form the Soviet Union in 1922 and served as the First Secretary of the TSFSR until 1926. (Full article...)
The Borodino-class battlecruisers (Russian: Линейные крейсера типа «Измаил») were a group of four battlecruisers ordered by the Imperial Russian Navy before World War I. Also referred to as the Izmail class, they were laid down in late 1912 at Saint Petersburg for service with the Baltic Fleet. Construction of the ships was delayed by a lack of capacity among domestic factories and the need to order some components from abroad. The start of World War I slowed their construction still further, as the imported components were often not delivered and domestic production was diverted into areas more immediately useful for the war effort.
Three of the four ships were launched in 1915 and the fourth in 1916. Work on the gun turrets lagged, and it became evident that Russian industry would not be able to complete the ships during the war. The Russian Revolution of 1917 halted all work on the ships, which was never resumed. Although some consideration was given to finishing the hulls that were nearest to completion, the three furthest from completion were sold for scrap by the Soviet Union during the early 1920s. The Soviet Navy proposed to convert Izmail, the ship closest to completion, to an aircraft carrier in 1925, but the plan was cancelled after political manoeuvring by the Red Army cut funding and she was eventually scrapped in 1931. (Full article...)
During World War I, she bombarded German fortifications during the siege of Qingdao. The Japanese government sold Tango back to the Russians at their request in 1916. She was renamed Chesma (Чесма) as her former name had been given to a new ship. En route to the White Sea, she joined an Allied force that persuaded the Greek government to disarm their ships. Her crew declared for the Bolsheviks in October 1917, but made no effort to resist when the British captured her during the North Russia intervention in early 1918. In poor condition, the ship was used as a prison hulk. Abandoned by the British when they withdrew in 1919 and recaptured by the Bolsheviks, she was scrapped in 1924. (Full article...)
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Jeannette at Le Havre in 1878, prior to her departure for San Francisco in a trip that would see her round Cape Horn The Jeannetteexpedition of 1879–1881, officially called the U.S. Arctic Expedition, was an attempt led by George W. De Long to reach the North Pole by pioneering a route from the Pacific Ocean through the Bering Strait. The premise was that a temperate current, the Kuro Siwo, flowed northwards into the strait, providing a gateway to the hypothesized Open Polar Sea and thus to the pole.
This theory proved illusory; the expedition's ship, USS Jeannette and its crew of thirty-three men, was trapped by ice and drifted for nearly two years before she was crushed and sunk north of the Siberian coast. De Long then led his men on a perilous journey by sled, dragging the Jeannette'swhaleboat and two cutters, eventually switching to these small boats to sail for the Lena Delta in Siberia. During this journey, and in the subsequent weeks of wandering in Siberia before rescue, twenty of the ship's complement died, including De Long. (Full article...)
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A bowl of borscht garnished with sour cream and dill
Borscht (English: /ˈbɔːrʃ,ˈbɔːrʃt/ⓘ) is a sour soup, made with meat stock, vegetables and seasonings, common in Eastern Europe and Northern Asia. In English, the word borscht is most often associated with the soup's variant of Ukrainian origin, made with red beetroots as one of the main ingredients, which give the dish its distinctive red color. The same name, however, is also used for a wide selection of sour-tasting soups without beetroots, such as sorrel-based green borscht, rye-based white borscht, and cabbage borscht.
Borscht derives from an ancient soup originally cooked from pickled stems, leaves and umbels of common hogweed (Heracleum sphondylium), an herbaceous plant growing in damp meadows, which lent the dish its Slavic name. With time, it evolved into a diverse array of tart soups, among which the Ukrainian beet-based red borscht has become the most popular. It is typically made by combining meat or bone stock with sautéed vegetables, which – as well as beetroots – usually include cabbage, carrots, onions, potatoes, and tomatoes. Depending on the recipe, borscht may include meat or fish, or be purely vegetarian; it may be served either hot or cold, and it may range from a hearty one-pot meal to a clear broth or a smooth drink. It is often served with smetana or sour cream, hard-boiled eggs or potatoes, but there exists an ample choice of more involved garnishes and side dishes, such as uszka or pampushky, that can be served with the soup. (Full article...)
Khrushchev was born in 1894 in a village in western Russia. He was employed as a metal worker during his youth, and he was a political commissar during the Russian Civil War. Under the sponsorship of Lazar Kaganovich, Khrushchev worked his way up the Soviet hierarchy. He originally supported Stalin's purges and approved thousands of arrests. In 1938, Stalin sent him to govern the Ukrainian SSR, and he continued the purges there. During what was known in the Soviet Union as the Great Patriotic War, Khrushchev was again a commissar, serving as an intermediary between Stalin and his generals. Khrushchev was present at the defense of Stalingrad, a fact he took great pride in throughout his life. After the war, he returned to Ukraine before being recalled to Moscow as one of Stalin's close advisers. (Full article...)
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The Norslunda Runestone, bearing runic inscription U 419, which mentions the personal name Kylfingr The Kylfings (Old NorseKylfingar; EstonianKalevid; HungarianKölpények; Old East Slavic Колбяги, Kolbiagi; Byzantine Greek Κουλπίγγοι, Koulpingoi; Arabical-Kilabiyya) were a people of uncertain origin active in Northern Europe during the Viking Age, roughly from the late ninth century to the early twelfth century. They could be found in areas of Lapland, Russia, and the Byzantine Empire that were frequented by Scandinavian traders, raiders and mercenaries. Scholars differ on whether the Kylfings were ethnically Finnic or Norse. Also disputed is their geographic origin, with Denmark, Sweden and the Eastern Baltic all put forward as candidates. Whether the name Kylfing denotes a particular tribal, socio-political, or economic grouping is also a matter of much debate.
Nihonium was first reported to have been created in 2003 by a Russian–American collaboration at the Joint Institute for Nuclear Research (JINR) in Dubna, Russia, and in 2004 by a team of Japanese scientists at Riken in Wakō, Japan. The confirmation of their claims in the ensuing years involved independent teams of scientists working in the United States, Germany, Sweden, and China, as well as the original claimants in Russia and Japan. In 2015, the IUPAC/IUPAP Joint Working Party recognised the element and assigned the priority of the discovery and naming rights for the element to Riken. The Riken team suggested the name nihonium in 2016, which was approved in the same year. The name comes from the common Japanese name for Japan (日本, nihon). (Full article...)
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From the film advertising poster, by Izrail Bograd
In the early days of sound cinema, among the various distinguished composers ready to try their hand at film music, Prokofiev was not an obvious choice for the commission. Based in Paris for almost a decade, he had a reputation for experimentation and dissonance, characteristics at odds with the cultural norms of the Soviet Union. By early 1933, however, Prokofiev was anxious to return to his homeland, and saw the film commission as an opportunity to write music in a more popular and accessible style. (Full article...)
Concept design for act 1, part of Nicholas Roerich's designs for Diaghilev's 1913 production of Le Sacre du printemps
The Rite of Spring (French: Le Sacre du printemps) is a ballet and orchestral concert work by the Russian composer Igor Stravinsky. It was written for the 1913 Paris season of Sergei Diaghilev's Ballets Russes company; the original choreography was by Vaslav Nijinsky with stage designs and costumes by Nicholas Roerich. When first performed at the Théâtre des Champs-Élysées on 29 May 1913, the avant-garde nature of the music and choreography caused a sensation. Many have called the first-night reaction a "riot" or "near-riot", though this wording did not come about until reviews of later performances in 1924, over a decade later. Although designed as a work for the stage, with specific passages accompanying characters and action, the music achieved equal if not greater recognition as a concert piece and is widely considered to be one of the most influential musical works of the 20th century.
Stravinsky was a young, virtually unknown composer when Diaghilev recruited him to create works for the Ballets Russes. Le Sacre du printemps was the third such major project, after the acclaimed Firebird (1910) and Petrushka (1911). The concept behind The Rite of Spring, developed by Roerich from Stravinsky's outline idea, is suggested by its subtitle, "Pictures of Pagan Russia in Two Parts"; the scenario depicts various primitive rituals celebrating the advent of spring, after which a young girl is chosen as a sacrificial victim and dances herself to death. After a mixed critical reception for its original run and a short London tour, the ballet was not performed again until the 1920s, when a version choreographed by Léonide Massine replaced Nijinsky's original, which saw only eight performances. Massine's was the forerunner of many innovative productions directed by the world's leading choreographers, gaining the work worldwide acceptance. In the 1980s, Nijinsky's original choreography, long believed lost, was reconstructed by the Joffrey Ballet in Los Angeles. (Full article...)
At the 2008 NHL Entry Draft, Filatov was selected sixth overall by the Blue Jackets. Filatov was the top-ranked European skater by the NHL Central Scouting Bureau. Filatov played two seasons with the Blue Jackets organization. During the 2009–10 season, Filatov was unhappy with his situation in Columbus and was loaned to CSKA Moscow for the remainder of the season. At the 2011 NHL Entry Draft, the Blue Jackets then traded him to Ottawa in exchange for a third-round draft pick. In December 2011, the Senators loaned Filatov to CSKA Moscow for the balance of the 2011–12 season. The following season, Filatov signed with Salavat Yulaev. The Senators chose not to tender Filatov a qualifying offer, making him a free agent. (Full article...)
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A Soviet postage stamp from 1959. The stamp celebrates growth in the chemical industry. During the Khrushchev era, especially from 1956 through 1962, the Soviet Union attempted to implement major wage reforms intended to move Soviet industrial workers away from the mindset of overfulfilling quotas that had characterised the Soviet economy during the preceding Stalinist period and toward a more efficient financial incentive.
Throughout the Stalinist period, most Soviet workers had been paid for their work based on a piece-rate system. Thus their individual wages were directly tied to the amount of work they produced. This policy was intended to encourage workers to toil and therefore increase production as much as possible. The piece-rate system led to the growth of bureaucracy and contributed to significant inefficiencies in Soviet industry. In addition, factory managers frequently manipulated the personal production quotas given to workers to prevent workers' wages from falling too low. (Full article...)
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Marshal Mortier at the battle of Durenstein in 1805, Auguste Sandoz
The Battle of Dürenstein (German: Schlacht bei Dürnstein; also known as Dürrenstein, Dürnstein and Diernstein) or the Battle of Krems (Russian: Сражение при Кремсе), on 11 November 1805, was an engagement in the Napoleonic Wars during the War of the Third Coalition. Dürenstein (modern Dürnstein), Austria, is located in the Wachau valley, on the river Danube, 73 kilometers (45 mi) upstream from Vienna, Austria. The river makes a crescent-shaped curve between Dürnstein and nearby Krems an der Donau, and the battle was fought in the flood plain between the river and the mountains.
At Dürenstein, a combined force of Russian and Austrian troops trapped a French division commanded by Théodore Maxime Gazan. The French division was part of the newly created VIII Corps, the so-called Corps Mortier, under command of Édouard Mortier. In pursuing the Austrian retreat from Bavaria, Mortier had over-extended his three divisions along the north bank of the Danube. Mikhail Kutuzov, commander of the Coalition force, enticed Mortier to send Gazan's division into a trap and French troops were caught in a valley between two Russian columns. They were rescued by the timely arrival of a second division, under command of Pierre Dupont de l'Étang. The battle extended well into the night, after which both sides claimed victory. The French lost more than a third of their participants, and Gazan's division experienced over 40 percent losses. The Austrians and Russians also had heavy losses—close to 16 percent—but perhaps the most significant was the death in action of Johann Heinrich von Schmitt, one of Austria's most capable chiefs of staff. (Full article...)
This photo of the Nilov Monastery on Stolobny Island in Tver Oblast, Russia, was taken by Sergey Prokudin-Gorsky in 1910 before the advent of colour photography. His process used a camera that took a series of monochrome pictures in rapid sequence, each through a different coloured filter. By projecting all three monochrome pictures using correctly coloured light, it was possible to reconstruct the original colour scene.
A Chechen man prays during the First Battle of Grozny, January 1995. The flame in the background is coming from a gas pipeline which was hit by shrapnel.
Alexis (1629–1676) was the tsar of Russia from 1645 until his death. Born in Moscow on 29 March 1629, the son of Tsar Michael and Eudoxia Streshneva, the sixteen-year-old Alexis acceded to the throne after his father's death. Boris Morozov, a shrewd boyar open to Western ideas, took charge of Russia in the early years of Alexis's reign, but was exiled from Moscow following a popular uprising. Alexis responded to the uprising with a new legal code. His reign saw wars with Poland and with Sweden, a schism in the Russian Orthodox Church, and the major Cossack revolt of Stenka Razin. Alexis was married twice and had sixteen children, including tsars Fyodor III; Ivan V; Peter the Great; and Sofia, who ruled as regent for her brothers from 1682 to 1689.
This oil painting, made by an unknown artist in the 1670s, is now located in a museum in Ptuj, Slovenia.
Although James Clerk Maxwell made the first color photograph in 1861, the results were far from realistic until Prokudin-Gorsky perfected the technique with a series of improvements around 1905. His process used a camera that took a series of monochrome pictures in rapid sequence, each through a different colored filter. Prokudin-Gorskii then went on to document much of the country of Russia, travelling by train in a specially equipped darkroomrailroad car.
The Solovetsky Monastery is a Russian Orthodox monastery in Solovetsky, Arkhangelsk, Russia. Founded in 1436 by the monk Zosima, the monastery grew in power into the 16th century, becoming an economic and political center of the White Sea region and eventually hosting 350 monks. After the Bolshevik Revolution, Soviet authorities closed down the monastery and incorporated many of its buildings into Solovki prison camp, one of the earliest forced-labor camps of the gulag system. The camp closed after the region's trees had been harvested. Today the monastery has been re-established, and also serves as a museum.
Barge Haulers on the Volga is an oil painting on canvas completed between 1870 and 1873 by the realist artist Ilya Repin. It depicts eleven men physically dragging a barge on the banks of the Volga River. Depicting these men as at the point of collapse, the work has been read as a condemnation of profit from inhumane labor. Barge Haulers on the Volga drew international praise for its realistic portrayal of the hardships of working men, and launched Repin's career. It has been described as "perhaps the most famous painting of the Peredvizhniki movement [for]....its unflinching portrayal of backbreaking labor". Today, the painting hangs in the Russian Museum in Saint Petersburg.
Lenin, a Soviet nuclear-powered icebreaker, was both the world's first nuclear-powered surface ship and the first nuclear-powered civilian vessel. The ship entered operation in 1959 and worked to clear sea routes for cargo ships along Russia's northern coast. Nuclear power proved to be an ideal technology for a vessel working in such a remote area, as it obviated the need for regular replenishment of fuel. From 1960 to 1965, the ship covered over 85,000 mi (137,000 km) during the Arctic navigation season, of which three-quarters was through ice. After being decommissioned in 1989, the vessel was subsequently converted into a museum ship and is now permanently based at Murmansk.
Ivan Goremykin (1839–1917) was a Russian prime minister during World War I. A politician with archconservative views, after some time in the Ministry of Justice, he transferred to the Ministry of the Interior in 1891. He held the rank of prime minister from May to July 1906 and again from 1914 to 1916; during both terms his effectiveness was strongly limited by opposition from the State Duma. In the aftermath of the October Revolution, Goremykin was recognized as a member of the Tsarist government and killed by a street mob.
A Boyar Wedding Feast is an oil-on-canvas painting created by Russian artist Konstantin Makovsky in 1883. The boyars were members of the highest rank of the feudal aristocracy of Russia in the 16th and 17th centuries, and a wedding was an important social event. In this painting, the guests are depicted toasting a newlywed couple. They stand at the head of the table, where the groom sees his bride without her veil for the first time; she appears timid and bashful as the men toast for the first kiss. Behind the couple, the Lady of Ceremony gently urges on the bride. A roasted swan is being brought in on a large platter, the last dish to be served before the couple retires to the bedroom. The work is in the collection of the Hillwood Estate, Museum & Gardens, in Washington, D.C.
Gorky Park is a park in central Moscow, Russia, inaugurated in 1928 following the use of the site in 1923 for the First All-Russian Agricultural and Handicraft Industries Exhibition. The park was named after the writer and political activist Maxim Gorky. It underwent a major reconstruction in 2011; nearly all the amusement rides and other attractions were removed, extensive lawns and flower beds were created, and new roadways were laid. A 15,000 m2 (160,000 sq ft) ice rink was installed at the same time. This picture shows the colonnaded main portal of Gorky Park.
Fyodor Dostoevsky (1821–81; depicted in 1872) was a Russian novelist, short story writer, essayist and philosopher. After publishing his first novel, Poor Folk, at age 25, Dostoyevsky wrote (among others) eleven novels, three novellas, and seventeen short novels, including Crime and Punishment (1866), The Idiot (1869), and The Brothers Karamazov (1880).
Maxim Gorky (1868–1936) was a Russian political activist and writer who helped establish the Socialist Realism literary method. This portrait dates from a trip Gorky made to the United States in 1906, on which he raised funds for the Bolsheviks. During this trip he wrote his novel The Mother.
... that the finds at the village of Gnezdovo near Smolensk include an early folding razor, the first pivoted scissors found in Eastern Europe, and the earliest inscription in the Old Russian language?
Two paskhas with candles (with a kulich and Easter eggs in the background)
Paskha (also spelled pascha, or pasha; Russian: па́сха; [ˈpasxə]; "Easter") is a Slavic festive dish made in Eastern Orthodox countries which consists of food that is forbidden during the fast of Great Lent. It is made during Holy Week and then brought to Church on Great Saturday to be blessed after the Paschal Vigil. The name of the dish comes from Pascha, the Eastern Orthodox celebration of Easter. Besides Russia, Ukraine, etc. Pasha is also often served in Finland.
Cheese paskha is a traditional Easter dish made from tvorog (like cottage cheese, Russian: творог, tr.tvorog), which is white, symbolizing the purity of Christ, the Paschal Lamb, and the joy of the Resurrection. It is formed in a mold, traditionally in the shape of a truncated pyramid which symbolizes the first Passover in Egypt, a nod to Christianity's early Jewish beginnings and a reminder that the Last Supper of Jesus was a Passover Seder. Others believe the pyramid is a symbol of the Trinity, the Church; Tomb of Christ). It is usually served as an accompaniment to rich Easter breads called paska in Ukraine and kulich in Russia (where the "paskha" name is also used in the Southern regions) and Poland “Pascha”. The Easter foods; bread and cheese paska are very rich and made of many dairy items given up during Great Lent. They are brought to church on Easter to be blessed by the priest. (Full article...)
... that in August 2022, Igor Mangushev spoke on a stage in a Russian nightclub with what he said was the skull of a Ukrainian soldier killed in the Azovstal Iron and Steel Works?
... that a Cossack detachment led by Imperial Russian Lazar Bicherakhov joined forces with British general Lionel Dunsterville's expeditionary corps to prevent Ottoman advance?
... that in the 1916 Declaration of Sainte-Adresse Britain, France and Russia committed to securing the political and economic independence of Belgium after the First World War?
... that near the end of her life, feminist and educator Nadezhda Stasova wrote that Russian women "still have not learned to stop being men's slaves"?
... that Russia launched an Iranian satellite into orbit just three weeks after Putin and Iran's Supreme Leader Ayatollah Khamenei vowed to cooperate against the West?
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![Image 1 Ordzhonikidze in 1937 Sergo Konstantinovich Ordzhonikidze, born Grigol Konstantines dze Orjonikidze (24 October [O.S. 12 October] 1886 – 18 February 1937) was a Georgian Bolshevik and Soviet politician. Born and raised in Georgia, in the Russian Empire, Ordzhonikidze joined the Bolsheviks at an early age and quickly rose within the ranks to become an important figure within the group. Arrested and imprisoned several times by the Russian police, he was in Siberian exile when the February Revolution began in 1917. Returning from exile, Ordzhonikidze took part in the October Revolution that brought the Bolsheviks to power. During the subsequent Civil War he played an active role as the leading Bolshevik in the Caucasus, overseeing the invasions of Azerbaijan, Armenia, and Georgia. He backed their union into the Transcaucasian Socialist Federative Soviet Republic (TSFSR), which helped form the Soviet Union in 1922 and served as the First Secretary of the TSFSR until 1926. (Full article...)](/wiki/File:Blank.png)
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![Image 12 Barge Haulers on the Volga Painting: Ilya Repin Barge Haulers on the Volga is an oil painting on canvas completed between 1870 and 1873 by the realist artist Ilya Repin. It depicts eleven men physically dragging a barge on the banks of the Volga River. Depicting these men as at the point of collapse, the work has been read as a condemnation of profit from inhumane labor. Barge Haulers on the Volga drew international praise for its realistic portrayal of the hardships of working men, and launched Repin's career. It has been described as "perhaps the most famous painting of the Peredvizhniki movement [for]....its unflinching portrayal of backbreaking labor". Today, the painting hangs in the Russian Museum in Saint Petersburg. More selected pictures](/wiki/File:Ilia_Efimovich_Repin_(1844-1930)_-_Volga_Boatmen_(1870-1873).jpg)
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